Gyanvapi Mosque: ASI Survey Large Hindu Temple Existed Prior | Clear Update

Gyanvapi Mosque

The Gyanvapi mosque case is a legal dispute in India regarding whether the mosque was built over a pre-existing Hindu temple structure. The Archaeological Survey of India (ASI) conducted a scientific survey of the Gyanvapi premises and found evidence of a pre-existing Hindu temple structure. The ASI report has been made available to both parties, and the court has allowed an expedited trial of the case. The case revolves around complex issues such as the historical origins of the mosque, the validity of claims made by both communities, and the legal implications under the Places of Worship (Special Provisions) Act of 1991. The Allahabad High Court dismissed five petitions filed by the Muslim side, and the case is ongoing.

ASI Survey Disclose Architectural Insights

Reuse of Pillars and Plasters

Advocate Vishnu Shankar Jain highlighted a pivotal aspect of the ASI survey: a meticulous examination of the pillars and plasters in the mosque’s existing structure. The report suggests that parts of preexisting temples, including pillars and plasters, were not only reused but also underwent minimal modifications for the mosque’s expansion and the construction of Sahan. The intricate study of pillars in the corridors strongly indicates their origin as integral components of a preexisting Hindu temple.

Western Wall Revelation

One of the most striking revelations pertains to the present western wall of the mosque. According to Jain, the ASI has conclusively stated that this wall is an integral part of the pre-existing Hindu temple. This assertion adds weight to the claim that a large Hindu temple existed before the construction of the current mosque, challenging previously accepted historical narratives.

Sculptures and Architectural Elements

Jain further disclosed that the ASI unearthed sculptures of Hindu deities and carved architectural members buried beneath the soil. The existing architectural remnants, including decorated moldings, a large entrance gate, and intricate carvings of birds and animals, strongly indicate the western wall’s connection to a Hindu temple. These findings suggest the destruction of the preexisting structure in the 17th century, as per scientific studies and surveys.

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Inscriptions: A Linguistic Chronicle

Devanagari, Grantha, Telugu, and Kannada Scripts

The ASI survey also revealed a remarkable linguistic aspect – 32 inscriptions in the Devanagari, Grantha, Telugu, and Kannada scripts. These inscriptions, found on both existing and preexisting structures, offer a linguistic trail indicating the temple’s Hindu origins. The reuse of these inscriptions in the construction and repair of the existing mosque further supports the narrative of an earlier Hindu temple that underwent destruction.

Deities and Historical Nomenclature

#WATCH | Varanasi, Uttar Pradesh | Advocate Vishnu Shankar Jain, representing the Hindu side, gives details on the Gyanvapi case.

He says, "The ASI has said that Sculptures of Hindu deities and carved architectural members were found buried under the dumped soil…… pic.twitter.com/0qZ49HBOcL

— ANI (@ANI) January 25, 2024

Advocate Jain highlighted that the inscriptions included names of deities such as Janardana, Rudra, and Umeshwara. This linguistic evidence not only solidifies the Hindu connection but also provides insights into the religious and cultural practices associated with the preexisting temple.

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Conclusion

The ASI survey report, as disclosed by Advocate Vishnu Shankar Jain, paints a vivid historical picture of Gyanvapi Masjid. The reuse of architectural elements, inscriptions in multiple scripts, and the revelation of sculptures and deities all point towards the existence of a significant Hindu temple prior to the mosque’s construction. This revelation opens avenues for a deeper understanding of the historical and cultural evolution of the site and calls for a reevaluation of prevailing historical narratives. As the legal discourse continues, the ASI findings contribute valuable insights into India’s rich cultural tapestry.

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